Thursday, November 27, 2008

Paul Simon Surprise Rock Music CD Review

Surprise is the latest release from Rock Sensation Paul Simon, and I can only think of one word to describe this CD… AWESOME!

Unfortunately, it’s not everyday that I get a CD from an artist that I can just pop in and comfortably listen to from beginning to end. There is usually a song or two that I just can’t force myself to get through. Not at all the case with Surprise. Every track is enjoyable and was pretty easy for me to listen to from start to finish.

Paul Simon has been a heavy hitter in the Rock genre for quite a while now and Surprise is an excellent illustration as to why. One of the nicer things about a CD like this is with this level of talent even if Rock isn’t your favorite genre you still can’t help but appreciate the greatness of the artist.

Rock music fans will recognize some of the well known guests that have been assembled to play along with Simon on several of the tracks. Artists like Bill Frisell and Herbie Hancock just to name a couple.

If you’re a Paul Simon fan, or just a fan of Rock music this is a CD your collection simply should not be without as Surprise is a very solid release. Quite possibly Paul Simon's best to date. Really spectacular from beginning to end. If you're even mildly into Rock music you'll enjoy this CD.

While this entire CD is outstanding some of my favorites are track 1 - How Can You Live In The Northeast, track 2 - Everything About It Is A Love Song, and track 9 - Once Upon A Time There Was An Ocean

My SmoothLee Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 4 - Sure Don't Feel Like Love. Wow!

Surprise Release Notes:

Paul Simon originally released Surprise on May 9, 2006 on the Warner Bros. Records label.

CD Track List Follows:

1. How Can You Live In The Northeast 2. Everything About It Is A Love Song 3. Outrageous 4. Sure Don't Feel Like Love 5. Wartime Prayers 6. Beautiful 7. I Don't Believe 8. Another Galaxy 9. Once Upon A Time There Was An Ocean 10. That's Me 11. Father And Daughter

Personnel: Paul Simon (vocals, guitar); Adrian Simon, Jesse Dixon Singers (vocals); Vincent Nguini (acoustic guitar); Bill Frisell (electric guitar); Herbie Hancock (piano); Gil Goldstein (harmonium, keyboards); Alex Al (bass instrument); Abraham Laboriel, Pino Palladino (bass guitar); Leo Abrahams (fretless bass); Robin DiMaggio, Steve Gadd (drums); Jamey Haddad (percussion); Brian Eno (electronics).

About The Author

Clyde Lee Dennis a life long music enthusiast, writes CD reviews and is also the Automotive Editor at http://Atlanta.eNewsBriefs.com covering topics like Atlanta Used Car Dealers and more. Visit Atlanta eNewsBriefs for the latest Atlanta News

Friday, November 21, 2008

Keeping Rock and Roll Alive By Supporting Rock and Roll Bands

Is Rock and Roll destined to go the way of Big Band music - a quaint but dated genre appreciated only by a certain generation? Rock and roll fans answer that question with an emphatic "No way!" and are determined to promote and encourage both famous rock bands and unsigned bands.

Whether they're into punk music, grunge bands, vintage music, or hard rock and roll music, fans want more from their favorites and want to hear the voices of new, unsigned bands. They show their appreciation by wearing rock and roll T-shirts or their favorite band T-shirts, and by displaying rock music posters, rock concert posters and other band posters on their walls.

Rock and roll fans are even using social networking websites to discover and discuss the new talent that's emerging from unsigned bands. Web portals are springing up that direct fans to unsigned bands' websites and that promote unsigned rock bands' CDs and merchandise.

If you're a member of an unsigned band, there are a number of ways you can get noticed and create buzz - which could lead to a lucrative recording contract. The first thing you need to do is create a CD that contains at least three original songs. The songs should accurately reflect your band's style and voice. That means booking some studio time, but it's well worth it to have your music heard by hundreds of thousands of potential fans.

Next, write up a biography of your band. Make the text enticing, and talk about your music, your musical influences, and each of your band members. Your biography doesn't have to be long, but it does have to grab the reader's attention.

After that, it's time for a good band photo. If you don' t have the money to hire a professional photographer, find a good amateur with a digital camera. If a studio shot is out of the question, consider an outdoors shot in a venue that reflects your band's musical style. Use your imagination and try out different poses, different clothes, and different backgrounds. With a digital camera, you can literally take hundreds of photos, which will ultimately give you a greater choice.

Once you have your band biography, your CD, and your band photo, seek out a Web portal that specifically promotes unsigned rock and roll bands. You can use their web site to promote your own web site, your CD, and any band merchandise you might have. Good luck - rock on!

About The Author

Chris Robertson is a published author of Majon International. Majon International is one of the worlds MOST popular internet marketing and internet advertising companies on the web. Visit their main business resource web site at: http://www.majon.com

To learn more about subjects like rock and roll please visit the web site at: http://www.strictlyrock.com

For more information and informative related articles and links about this subject matter and content, please visit Majon's Music directory: http://www.majon.com/directory/Music

Thursday, November 20, 2008

Ten Easy Rock Songs For Guitar Beginners

When I started playing guitar, nobody taught me how to do it. It wasn’t easy at first. My fretting hand's fingertips were so painful that I couldn’t touch anything for days! But once I got the hang of it, I discovered it was one of the most enjoyable things I’ve ever done. Over the years I would look back at those times and smile thinking how my life was changed the moment I picked up the guitar. It was actually my big sister’s guitar. However it turned out that I was more inclined to it that she was. She eventually turned over all the guitar playing duties to me.

I thought of making a random list of easy guitar songs that beginners might want to try playing, just to get things started. It will cover different genres but the objective is to improve playing, one song at a time. These are the criteria I’ve used for the selection of the songs:

a) Minimal number of chords –the less chords in a song, the easier it is to remember how to play it.

b) Minimal barre chords – barre chords require us to use our fretting hand’s index finger to press all 6 strings in a particular fret. Less barre chords is better for beginners.

c) Familiarity of the song – the songs are some of the most popular during their times.

And since we’re talking about beginner songs here, the primary goal of this list is to give novice players some songs to STRUM the guitar along with. No point in doing any complicated stuff yet. We have to first establish the rhythm within the player. So here it goes, in no particular order:

1. “Horse With No Name” – America
Chords: Em, F#m7sus

2. “Leaving On A Jet Plane” – John Denver
Chords: G, C, D

3. ”No Rain” – Blind Melon
Chords: E, D, A, G

4. “Every Rose Has It’s Thorns” – Poison
Chords: G, C, D, Em

5. “Knockin’ On Heaven’s Door” – Bob Dylan/ Guns N’ Roses
Chords: G, C, D, Am

6. “One” – U2
Chords: Am, D7, FM7, G

7. “Four Strong Winds” – Neil Young
Chords: C, Dm, G, F

8. “I Remember You” – Skid Row
Chords: G, C, D, Am, Em

9. “Come As You Are” - Nirvana
Chords: Em, D, G, Am, C

10. “Wonderful Tonight” – Eric Clapton
Chords: G, D, C, Em, Am

Finger placement:
C (x-3-2-0-1-0)
D (x-x-0-2-3-2)
D7 (x-x-0-2-1-2)
E (0-2-2-1-0-0)
Em (0-2-2-0-0-0)
A (x-0-2-2-2-0)
Am (x-0-2-2-1-0)
F (x-x-3-2-1-1)
FM7 (x-x-3-2-1-0)
F#m7sus (2-0-0-2-0-0)
G (3-2-0-0-0-3)

Legend:
D (x-x-0-2-3-2)

D - the chord name
x - E string will not be struck
x - A string will not be struck
0 - D string open
2 - Press G string on 2nd fret
3 - Press B string on 3rd fret
2 - Press e string on 2nd fret

There you go! Most of the songs have similar chords. That way, if we can recall chords from another some and incorporate that chord into another song then you get to practice applied knowledge. Ain't that grand!

Happy practicing!

About The Author

Eric Monsanto is a freelance writer. He keeps his writings in his blogsite http://monsaint.blogspot.com.

Tuesday, November 18, 2008

How You Can Turn Any Stadium Or Field Into A Concert Venue, Trade Show Floor, Or Event Area

Temporary floor rental and pathway systems provide access, surface protection, and decorative enhancement for special events and other functions.

Whether you're planning a concert for 60,000 or a wedding for 100, a portable rental floor is the perfect alternative to costly built up wooden floors, staging, and decking. You'll experience immediate labor savings, improved speed of installation, and reduced long-term maintenance due to it's unique features.

Whatever your floor rental needs, a portable floor can more than likely can meet your specific requirements. From natural and synthetic turf stadiums, to ice and dirt arenas, and from large tent functions to portable dance floors, you can have a firm, comfortable floor upon which all types of events and gatherings can be held.

Once modules are connected, assembled sections roll up for easy installation, storage and transport, allowing for thousands of square feet of flooring to be installed quickly and easily with a minimum of labor.

Sections are durable, weather resistant and capable of withstanding extraordinary loads and stresses, including the weight of cars, trucks, and forklifts. Should a module be damaged it can be easily and inexpensively removed and replaced, even from the center of a large floor. Sections are easy to clean and maintain using standard cleaning fluids and a brush or pressure washer.

A portable floor system consists of a series of molded modules that snap together on all sides using a uniquely engineered connection system.

Each standard module features a series of reinforcement ribs and supports which distribute weight and add strength. The floor's robust height provides sufficient clearance for water flow and a protective canopy under which grass and synthetic turf remains safe from surface traffic.

Municipalities, schools, country clubs, museums, theme parks and all types of event venues can benefit from a floor rental system and open up lawns and fields for tents, parties, and all types of traffic.

There's no need to worry about rain on event day because it's there to keep visitors out of the mud and water and off the grass, soil, carpet and other sensitive surfaces.

About The Author

Liam Allen invites you to request Free information on how a portable rental floor can help make your event a tremendous success. Contact him now at: info@rolatrac.ie or visit his website: http://www.rola-trac.ie.

Monday, November 17, 2008

Thursday Rock

Thursday, a post-hardcore band, is from New Brunswick, New Jersey. The band formed in 1997. Their first full-length album was released in 1999 with a New Jersey based company called indie Eyeball Records. Thursday is known for their notable advancements of artistic nature; many of the bands songs are as a result of books, real world events, and art of various forms. Successfully emerging from the underground indie scene, Thursday at the turn of the century attracted Victory Records attentios.

The band gained significant commercial radio airtime when they released their second album which became a breakthrough. Their hit single "Understanding In A Car Crash", landed the band a major label record deal with Island. Their hopes were in continuing to create music and an image that truely represented themselves. This hope resulted in a magnificent artistic piece in which the band perfected their sound. The entire collection of Thursday albums were produced by Sal Villanueva and mixed by Rumble Fish.

Thursday Band members are: Geoff Rickley (vocals), Tom Keeley (guitar), Steve Pedulla (guitar), Tim Payne (bass), Tucker Rule (drums) and last but not least Andrew Everding (keyboard).

The sound of Thursday is built upon both post-punk atmospherics and hardcore's visceral instrumentation. Repeated high-pitch guitar riffs stacked on top of heavy bass lines echo Thursday's British influences such as The Cure, The Smiths, and Joy Division as well as New York City's Sonic Youth. There is the odd time signatures, tempo and key changes, and multi-sectional song structures also play a prominent role, akin to progressive rock bands such as Yes and Rush. Lyrically, Thursday is a masterpiece with lead vocalist Geoff Rickly. Geoff concentrates on the struggles of growing up in the world today using violent imagery along side shimmering, and often beautiful phrases.

Thursday's Discography
* Waiting (December 6, 1999, Eyeball Records)
* Full Collapse (October 18, 2001, Victory Records)
* War All The Time (September 16, 2003, Island Records)

Thursday's Singles
* 2001 - "Understanding In A Car Crash"
* 2002 - "Cross Out The Eyes"
* 2003 - "Signals Over The Air"
* 2003 - "For The Workforce, Drowning"
* 2004 - "War All The Time"

About The Author

Ryan Fyfe is the owner and operator of Thursday Spot - http://www.thursdayspot.com, which is the best site on the internet for all thursday related information.

Feel free to reprint this article as long as you keep the article, this caption and author biography in tact with all hyperlinks.

Friday, November 14, 2008

Aerosmith Just Keeps On Rockin’

For over three decades, Aerosmith have been one of rock's most revered and popular bands, crafting classic songs full of raw guitar runs and intensely energetic vocals. The band first reached fame in the 1970’s with a string of hits including "Dream On," "Sweet Emotion" and "Walk This Way." During this period, Aerosmith's music defied easy categorization, falling somewhere between hard rock/blues and early punk, with occasional power ballads here and there. The band enjoyed major popularity throughout the 1970's, but a split from 1979-84, and the serious substance abuse and drug addictions that contributed to their decline, would nearly relegate them to the annals of history. However, in 1984, Aerosmith was born again. They went on to enjoy resurgence in popularity that has made them one of the top-selling and most popular rock bands in the world today.

Throughout their rough and rocky history, Aerosmith defied failure and even defied mediocrity in a fast-paced rock-and-roll world abundant in tragedy and also-rans. Aerosmith signed with Columbia in 1972 and debuted their first album simply titled Aerosmith, which included a hit single, "Dream On". After constant touring, the band released Get Your Wings in 1974, which did quite well on the charts, but it was Toys in the Attic in 1975 that established Aerosmith as international superstars. Originally pegged as Rolling Stones clones, Toys in the Attic showed that Aerosmith was a unique and original talent in their own right. Part heavy metal, part glam rock, and part punk, Toys in the Attic was an immense success, starting with the single "Sweet Emotion", then a successful re-release of "Dream On", and a new song from the album, "Walk This Way". Both of the band's previous albums re-charted as a result. Aerosmith's next album, Rocks, went platinum swiftly and featured two hits, "Back in the Saddle" and "Last Child".

Their next album, Draw the Line, was not nearly as successful, though the title track proved to be a minor hit. While continuing to tour and record into the late 1970’s, Aerosmith acted in the movie version of Sgt. Pepper's Lonely Hearts Club Band, covering the Beatles hit "Come Together." As their popularity waned and drug abuse began affecting their output, Joe Perry left the band in 1979 during the recording of their sixth studio album Night in the Ruts and formed The Joe Perry Project. Perry’s role in Aerosmith was initially taken by longtime friend and songwriter Richie Supa and then later by guitarist Jimmy Crespo who recorded the remainder of the album.

Aerosmith released its mammoth-selling Greatest Hits album in 1980, and in 1981 the band suffered another loss with the departure of Brad Whitford. Rick Dufay replaced Whitford and the band recorded their seventh album, Rock in a Hard Place. The album was considered a relative failure. The tour that followed this release is notable for Steven Tyler’s collapse onstage during a 1983 performance.

On Valentine's Day 1984, Perry and Whitford went to see Aerosmith play. They officially rejoined the ranks of Aerosmith once more in April of that year. Steven Tyler recalls, "You should have felt the buzz the moment all five of us got together in the same room for the first time again. We all started laughing - it was like the five years had never passed. We knew we'd made the right move."

Aerosmith embarked on a lucrative reunion tour entitled "Back in the Saddle", which produced the live album Classics Live II. Their problems were still not behind them when the group signed with Geffen Records and began working on a comeback.

1985 saw the release of Done with Mirrors, their first studio album since the highly publicized reunion. It fared relatively well commercially, but it did not produce a hit single or generate much hope for their comeback. By the time the record was released, Tyler and Perry had exited drug rehabilitation. The group appeared on Run D.M.C.'s incredibly successful cover of "Walk This Way", blending rock and roll and hip-hop and successfully beginning Aerosmith's comeback. The group's next release was Permanent Vacation (1987), which included the hits "Dude (Looks Like a Lady)", "Rag Doll", and "Angel". Their next album, Pump, was received even better; Pump featured four Top Ten singles: "Janie's Got a Gun", "What It Takes", "Love in an Elevator", and "The Other Side". Aerosmith was definitely in the midst of a major resurgence.

Despite significant shifts in mainstream music at the beginning of the 1990’s, the band's 1993 follow-up to Pump, Get a Grip, was just as successful commercially. Though many critics were unimpressed by the focus on power-ballads in promoting the album, three songs ("Cryin' ", "Crazy" and "Amazing") proved to be huge successes on radio and MTV. The music videos featured then fresh up-and-coming actress Alicia Silverstone; her provocative performances earned her the title of "the Aerosmith chick" for half a decade. Steven Tyler's daughter, Liv Tyler, was also featured in the "Crazy" video. Aerosmith signed with Columbia Records again in the early 1990’s, but they had to complete two contractual albums for Geffen before recording for the new label.

The next album, Nine Lives, was plagued with personnel problems, including the firing of manager Tim Collins. Reviews were generally mixed, and Nine Lives initially fell on charts, although it had a long chart life and sold double platinum in the US alone. It was followed by a series of late '90’s releases, mostly earlier material that was live or retrospective. The albums sold relatively well, but also marked a second decline in popularity and critical respect for the band.

Aerosmith's biggest hit of the '90’s, and its only #1 single to date, was the love theme from the film Armageddon, "I Don't Want to Miss a Thing". This song was conceived by Joe Perry and Diane Warren, although Warren alone received songwriting credit. Steven Tyler's daughter Liv was featured in the movie. In 1999, they were in the Disney-MGM Studios ride (and later in the Walt Disney Studios Park ride), Rock 'n' Roller Coaster. Aerosmith provided the soundtrack and theme for the ride, which is based on their recording session and following concert.

The band started its next decade with the release in 2001 of Just Push Play, which charted well. They were also inducted into the Rock and Roll Hall of Fame. Later that year, the band appeared as part of the United We Stand concert in Washington D.C. for 9/11 victims and their families. Stubbornly, the band flew back to Indianapolis for a show the same night, refusing to interrupt their Just Push Play tour schedule.

In 2002, Aerosmith released the 2-disc compilation O Yeah! Ultimate Aerosmith Hits and embarked on the Girls of Summer tour with opening acts Kid Rock and Run-DMC. In 2003, Aerosmith co-headlined with Kiss on the Rocksimus Maximus tour. Their long-promised blues album, Honkin' on Bobo, was released in 2004. The Album continues to be a success, helping to inspire the resurgence of blues and roots music across the US and Europe. A live DVD, You Gotta Move, followed it in December 2004. The band also lent its well-known "Dream On" to an advertising campaign for Buick in 2004, targeting their audience, which is now composed largely of people who were teenagers when the song first charted.

In 2005, guitarist Joe Perry released his eponymous solo album. Many claim that it is in many ways truer to the Aerosmith of the '70’s than any of their recent output. This is mostly due to its raw energy and lack of song doctoring. In October 2005, Aerosmith released a CD/DVD named Rockin' the Joint. The band hit the road for the Rockin' The Joint tour on October 30th with Lenny Kravitz and is still touring.

They expect to be on the road until some time around Spring 2006. Rumor has it that they will begin work on a new album at that time. It was announced in January that the band will embark on a 5-week tour with Cheap Trick in the spring. Rumors of a tour started a week before the announcement when Cheap Trick front man Robin Zander joined the band onstage for "Come Together" during a concert in Tampa, Florida. Early reports also indicate that the band plans to resume touring in the fall of 2006, most likely in support of the new album. According to insiders, an upcoming tour may see them alongside Motley Crue.

About The Author

This article was written by F.R. Penn sponsored by http://www.stubhub.com. If you’re looking for tickets for the next Aerosmith show, look no further than Stubhub.com where fans buy and sell the hottest tickets. Reproductions of this article are encouraged but must include a link back to http://www.stubhub.com.

Thursday, November 13, 2008

School Disco Classics - Reliving Your Youth With Retro Concerts

Looking back school disco’s were the epitome of uncool. People tended to fall into two different categories; those who were clearly very geeky and those who were delusional to the point of thinking they were at the cutting edge of popular culture with their suspect haircuts and jerky dance moves. These two subgroups could of course be further broken down into boys and girls. Girls tended to dance on mass together in tight circles gossiping and singing all the words, while the walls of the school hall were lined with nervous looking boys doing their best to pretend that they didn’t know the words to the latest Rick Astley hit.

However, as the old saying goes - school days were the best days of your life and like it or not these discos were the soundtrack. To this day hearing a song can cast your memory back to the creaking sound system ran by a DJ old enough to be your great uncle – you may even still sport the scars of failed break dancing moves. It’s perhaps due to these sparks of nostalgia that has led to the increasing popularity of retro concerts.

In the past retro concerts have been a little bit of a mixed bag. For every Bob Dylan there is a sad miserable effort from a band desperately trying to re-live their youth and squeeze an extra few pounds out of “the final tour”. Very often going to see these fallen idols can shatter the memories of your youth and make you realise just how uncool you and they were in the first place. It is always worth therefore doing a little investigating before heading off to a retro concert. Does the artist still have it? Have the drug fuelled parties of their youth taken their toll? Are they medically speaking still alive?

Luckily there are a number bands touring in the near future across the UK that do, definitely still have it. One perennial favourite is Scottish singing legend Rod Stewart who is planning dates across the UK in Manchester, Newcastle and London to name but a few. Famed for hits such as “Maggie May” and “Do ya think I’m Sexy?” - Rod has been entertaining crowds across the world since his career began as a singer in the early 1960’s. While the numbers of people replying positively to his most famous hit has no doubt diminished through the years, Rod’s lyrical presence has certainly not and he continues to be one of the world’s great showmen.

One of the quintessential school disco greats from the 80’s were the sublime reggae outfit, UB40. While the name of the band is certainly very apt for many of their current followers, UB40 are still as good a live act as you will see. Formed in 1978 UB40 are heavily influenced by 1960’s Ska and reggae which was the inspiration behind original tracks such as King", "Madam Medusa", "Food for thought" and "Signing Off". UB40 have 2 dates in December playing to an expected sell out crowd at Wembley, London.

One act guaranteed to spark an emotional response from your mother are the Everly Brothers. Best known for tracks such as “Wake up Little Susie” and “Crying in the Rain”, the Everley brothers are widely regarded as one of the greats in rock and roll history. Playing live in the UK this winter, tickets can be bought for their Bristol, Glasgow and Manchester gigs which promise to be a sing-a-long extravaganza!

In the past retro concerts have received a lot of bad press, with fans wishing they could just remember their favorite artists when they were at their peak. However, as the saying goes for many artists “class is permanent” and if you are looking for a fun day out listening to the songs of your youth then these concerts are great. Just don’t expect miracles – you aren’t going to look 16 again no matter how loud you sing...

For further information on retro concerts and concert breaks in the UK try short break specialist http://www.superbreak.com.

About The Author

Robin Richmond is a freelance travel writer living in Edinburgh, Scotland.

www.travel-tips.co.uk

Tuesday, November 11, 2008

Green Day: Punk Rock Masters Taming Mainstream Radio Their Way

Before they got together as Green Day, Billie Joe Armstrong, Mike Dirnt and Tre Cool were merely three extraordinary hopefuls hoping and looking for their big break. The trio has no formal training and got their ‘practice’ from playing for free at punk clubs on Gilman Street in Berkeley, California. Out on the streets is where the 3 talented individuals got their big break – they turned from punk rock’s most unlikely success story to a remarkable band with a series of chart-topping hits. Together, they sold more than 10 million albums and won a Grammy Award in the process. It’s been a long journey for the trio who started out singing out in the streets.

Both Billie Joe Armstrong and Mike Dirnt were born in Rodeo, California in 1972 and have been fabulous childhood friends since the age of 10. At the age of 14, they carefully put together their first band, Sweet Children.

They recorded their first EP as Green Day, 1,000 hours, in 2 days flat and in the meantime, Dirnt graduated and Armstrong dropped out of high school. A local indie label “Lookout!” released Green Day’s debut album – at this time, Green Day recorded the album with their first drummer, Al Sobrante. Al Sobrante soon quit the band. Dirnt and Armstrong found a friend in Tre Cool (Frank Edwin Wright III) who as been a drummer with “Lookout!” since the age of 12. Together, Armstrong, Dirnt and Cool released the group’s second album, Kerplunk.

Green Day didn’t burst into the entertainment scene without followers and fans. That’s because Green Day, before the release of their albums, EARNED their following by driving their renovated bookmobile from coast to coast, crashing in their friends’ places and organizing mini-concerts for their fans. When they reprised their debut, Dookie, Green Day already have a throng of fans and followers. To say the very least, Green Day made immaturity and malcontent cool all over again. Their songs on picking scabs, pyromania….won the hearts of followers and fans who can tune in to the content and felt the pain and stress in the songs. The re-release of ‘Dookie’ took the world by storm because they sold more than 10 million copies in the U.S. alone and they won a Grammy in 1994 for “Best Alternative Music Performance”.

Green Day proves to critics that they are here to stay and refuse to be a one-hit (or even one-album wonders). With their next album, Insomniac, and in their latest album, Nimrod, they stayed steadfast to the punk philosophy. They maintain that being naughty is sometimes nice – even when you’re married and have kids.

What makes the songs from Green Day so wildly popular is the fact it’s easy for anyone to identify with the lyrics. They reintroduced anger and exuberance in a very offbeat and un-rhythmic sort of way. They have, what people will call, the finger-in-your-face attitudes. The sort of staying power Green Day has shown through their songs, it’s not hard to imagine why we say that Green Day won’t be making its way out of the scene any day soon – not today, not Green Day.

About The Author

By Dakota Caudilla. Journalist, and web site builder Dakota Caudilla lives in Texas. He is the owner and co-editor of http://www.all-green-day.info on which you will find a longer, more detailed version of this article.